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After
Houston a few weeks ago, 54°40’ or Fight introduces us to another good heavy
emo melodic entity under the name of The Life and Times. Singer / guitarist
Allen Epley is the master of ceremonies, supported by an inventive and solid
rhythmic section, bass player John Meredith and drummer Mike Myers. ‘The Flat
End of the Earth’ is a six tracks EP which is far more cohesive and incisive
than Houston’s full length album we reviewed lately. I appreciate this kind of
passive aggressive music, mixing pop rock habits with heavier interpretations, a
“dynamic between what is gentle and what is crushing” as they say, but on
the long run it does not seem to operate anymore, maybe too much repetitive or
at least too easy to fore-hear. It’s not a question of preferring one to the
other because Houston and TLAT functions on the same patterns. Indeed, the
voice, the guitar sound, the mixing, the rhythmic tricks or the moods flowing
from the songs, the two bands are all alike. I must admit that the rest of the
review would only be repetition so check the review for Houston here
and apply these lines to The Life and Times.
Don’t
misunderstand me, I am not lazy here, only realistic about my likes and
dislikes. I cannot praise for the pleasure of the praise without being fully
conscious and honest about it.
-Angus
‘Avril’ Anderson.
Angus
is being blasé here because he likes this ep but he has difficulties being as
enthusiastic as anyone at Only Angels, except when it comes down to Lavigne but
that’s another story. Anyway, ‘Raisin’ in the sun’ could be a hit if we
lived in a better world, a world in which people would like melancholy. Its
chorus staccato riff is full of energy and Epley’s delivery is delightful. It
might please some Deftones fans… When the tempo is slower, melancholy tends to
turn into appealing resigned dirge that remind me of Pedro The Lion for example
(‘Houdini’, ‘the flat end of the earth’, ‘high scores’). Life and
Times debut ep is a fine release on the part of 54°40 or Fight!.
-Blacklisted ‘Terminator’ Igor
/nov 1st 2003/